Tuesday, 18 November 2014

Naked Old Man/John And Mark @ Taurus Bar 12.11.14

Theatre is at its absolute best when it’s stripped back to the bare essentials, no fluff or extravagant sets, just expression and communication. This we learn through Northern Outlet Theatre Company’s double bill. The first, Naked Old Man, is written by Academy Award nominated writer Murray Schisgal.

Performed by Richard Sails, the play follows the 82-year-old writer entertaining 3 of his late colleagues that he envisages in his mind’s eye. The 45-minute monologue is beautifully written and the phrases are turned as frequently, and as elegantly, as a carousel. Sparked by the question “what it feels like to be old,” Sails uses the eloquent language to poignantly communicate a lifetime of experience, a frustration of present condition and expectation for the future. Despite an inevitable theme of mortality, Sails has a talent for allowing the words to carry weight and poignancy without shrouding the character in pity from the audience. A theme of legacy is present within this piece as the men discuss their accomplishments, which follows quite nicely into the second performance of the evening.

They say you should never meet your heroes; one can only suspect that this is to avoid a possible glass shattering realization that they are just another ‘working class hero.’ Being an away from home Scouser and avid John Lennon fan, I was cautious of this when I sat to watch John and Mark.

The play is simultaneously set inside a high security prison and the psyche of Lennon’s assassin Mark Chapman, played by Matthew Howard-Norman. A dramatic and dangerous character can bring out bad habits – even in the best of actors. The temptation to shock and awe the audience can be a persuasive choice over being truthful to the text and usually ends in disaster. Thankfully disaster was evaded in Howard-Norman’s performance. His portrayal of Chapman was executed to perfection, with a controlled psychopathic coldness that remained naturalistic.

Equally as challenging is playing a legend of such popularity, fame and followers. The pressure must have really been on when the show performed at The Lantern Theatre in Liverpool. None the less Lee Joseph pulls it off with precision and flare. Visiting Chapman as a spectre, Joseph swaggers around with that eminent Lennon confidence, reinforced by all the recognised mannerisms, image and distinguishable nasal voice. That being said, Joseph gave the character another dimension that raised it above mere impressions – he managed to capture Lennon’s furtive vulnerability.

The play has been deemed as controversial, receiving some criticism for fulfilling Chapman’s bid for notoriety in an attempt to ‘steal’ Lennon’s fame. This controversy is unjustified as overall the piece doesn’t deal with a singular character’s experience, but deals with love, faith, obsession and shared yearning for fulfilment. A truthful piece of two men connected by a horrific event driven by their personal hubris.

Words: Kate Morris

Images: Courtesy of Northern Outlet Theatre Company

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