Showing posts with label alpha male tea party. Show all posts
Showing posts with label alpha male tea party. Show all posts

Wednesday, 21 May 2014

Review: Alpha Male Tea Party - Droids (Superstar Destroyer Records)

With a name like Alpha Male Tea Party, you tend to assume a bit of madness in the music they make. Oh boy, do they like madness. Coming right out of the gate tweaking and thrashing like a wild bull, Droids is a bombastic mass of frantic riffs, blasting bass and stuttering drums. Sounding like At The Drive-In during a sugar rush, AMTP’s songs all hold a sense of delirious joy in the chaos being created. With song names like ‘You Eat Houmous; Of Course You Listen To Genesis’ it’s pretty hard to not smile when you can hear how much fun the band is having.


Droids is an attempt by the band to put to music their frustrations with the drudgery of monotonous offices, faceless corporations and the 9 to 5. Yet when you have songs titled as 'I Haven't Had A Lunch Break Since Windows Vista Came Out', you get the sense that maybe they aren’t trying to send much of a message. Instead, using that pent-up energy to smash some guitars and let loose.

Droids is an album of joyful noise, yet when it decides to slow the pace, the outcome is breathtaking. ‘Your Happiness Was Stored On A Hard Drive And Is Now Corrupt’ transforms from a slow building ballad into an immense wall of shimmering noise and gives the album a new spur of life. The jerky math-rock riffs are enjoyable, but it’s the combination of this chaos with those moments of sheer bliss that bring depth and richness to the mix. Underneath all the explosive noise there’s a method in the madness, a beauty just waiting to be unearthed.

Words: Alex Adams

Sunday, 24 February 2013

Swing Dance Collective Presents @ Kraak, 17.02.13

How ironic that the organisers are titled the Swing Dance Collective, conjuring up images from the ‘30s when a band was more likely to comprise a brass section than a guitarist, and everyone wore the group’s uniform. Tonight’s event is a maelstrom of furious intensity, plus a more unusual type of uniform.


First up are Bad Grammar, a duo comprising of Lucy Brown on drums and Ben Forrester on guitar. Forrester has a voice that at times resembles Dave Grohl’s, as fiery riffs bounce around. At this time of the weekend, a Sunday night, most people are winding down in preparation for a return to work the next day, but they let fly with a fairly brutal display that clears any lethargy.


The more unusual uniforms are worn by Alpha Male Tea Party. Looking like they have walked from a crime scene, Tom Peters (guitar), Ben Griffiths (bass) and Chapman (drums) are dressed in all white, zip up radiation suits. Or it could be a giant condom. As they invite people closer to the stage they do apologise for the smell. Well they have played the last few nights in Hartlepool, Northampton, Liverpool (their home town) and now Manchester in the same outfits which they acknowledge as being drenched in sweat. Plus some other types of fluids.

Loud and proud in performance, the recent gigs have allowed the trio to develop their harmonies and timing in an intense manner. How apt for times like these that a band should have a song titled ‘Tastes Like Dog’, presumably recorded in a more prescient moment. They announce that they have some CDs on sale but after their tour the only change they have is in the form of “Durex Pleasuremax or Euros”. I’m not sure how well that went down with the parents of one band member, who were in the audience.


A second band from the west end of the M62 is Vasco Da Gama, who comprise of John Crawford, Chris Lynn, David Kelly and Joe Falconer. With a more intricate weave of sounds, full of stop-start arrangements and intricate guitar works, they more than keep their followers here tonight entertained.


Axes close the night, which is probably a good thing as I think they arrive 15 minutes before they go onstage. They are almost a distillation of the three bands that precede them; loud, vibrant and entertaining. The stage is barely able to contain the four-piece as the front three move across the stage furiously attacking their guitars with a swinging (yes, I know) onslaught of strings to provide a suitably fiery climax to a swinging night.

Words & photography: Ged Camera.