Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Tuesday, 14 August 2012

Review: To Be Confirmed at Three Minute Theatre, Monday 6th August 2012

TBC @ 3MT. It could be a code, it could be a meme. It could be a cypher spoken using the phonetic alphabet across a long-wave radio frequency. What it actually stands for is a group and a venue at a specific time and a specific place. How else do cultures culture?

To Be Confirmed is a poetry project that is in its infancy but forms part of a tapestry of Manchester that is much older; diverse people coming together. It attracts a rich multiplicity of persons applying poetry, first-and-foremost to their lives and then in performance on the monthly night. A Monday. But not your typical Monday.

3 Minute Theatre is a relatively new venue to the city of Manchester. It occupies a place on the ground floor of Afflecks Palace - which, as we know, is seminal to Manchester culture as a site for the alternative consumer and poignantly was recently threatened with foreclosure.

A bright neon sign leads you through from the entrance on Oldham Street to a quaint room filled with staggered rows of seats that acquires a cosy yet vibrant atmosphere as the place fills up with warm bodies and hot air.
Here are some of the voices of the TBC professionale coterie:

Daniel Clayton: Existential.
“I like to think a lot. Sometimes I over-think things. I like to encourage other people to think about things that are interesting or things that are not necessarily conventional; philosophical questions like why do we exist?”
Dan performs a surreal spoken word piece about a fruit bowl that personified fruit - making them kill each other and getting drunk, etc. - and another piece that brings us to question the senses in their interpretations of the world:
“Everything we see is light, and what we hear is just vibrations, so how do we know that you're not just a brain in a vat?”

Anna Percy: Rhymes in the middle.
“Some friends of mine, well, John G. Hall, the poetry guy in Manchester, started up a thing called the Arran Poetry Adventure. Basically, I started going three years ago, but it's been going a bit longer than that. What we do is, because writing retreats are really expensive, we have six hundred pounds and we hire out some houses and all you do is pay for accommodation and travel and then you can join in the workshops or go off and adventure around the island.” “We run workshops but it's relaxed; like a holiday with a bit of writing thrown in. They've been going since 2009.”
Anna classes her writing as confessional. As with time and writing about life, the same as with Sylvia Plath and Anne Sexton, who mostly wrote about what was going on with their lives at the time, Anna believes that:
“…writing saves lives.”
“Similarly to Anne Sexton - she wrote 'cause she was a bit mad - I suppose my stuff is confessional but as I've gone on I've kind of got more into doing experimental stuff like found poems. It basically just means that you nick the text from somewhere else.”

Above: The To Be Confirmed compere.

Ren Coulson: Extreme tactility?
“I write a lot about nesting and homes and cocooning yourself. I like limbs and wool!”
Ren says writing verse like this creates a visceral image, deep inward feelings, rather than intellectual garblings, aroused by things like looking at skin.
“I like exploring texture and elbows and feet, being wrapped in wool.”
Wool, visceral wool. Can wool really be visceral? Ren says:
“If you have a feeling that's based on raw and non-intellectual roots towards an inanimate object then, yes.”
Can poetry be aspirational?
“My ultimate dream is to have a narrowboat and to create that space, that tiny space, woodsmoke and the way it clings to clothes,” she says.

Fat Roland: Macabre scenery involving animals.

Roland doesn't consider himself a poet; he admits that he is a short story writer above all.

Roland goes to the printers and gets paraphernalia done up previous to shows. For the latest TBC, Roland went to the printers and got twenty Peppa Pig cards made, which he used as props for his latest thought experiment, taking participants through macabre scene which involved a narrative surrounding animals.
“The story comes first and the props come later,” he says.
Roland tells us that laughter works as a defence mechanism, if, sometimes, Roland takes us to dark places, people laugh because they have to.
“Dark is funny,” says Roland. “Peppa Pig is very light and colourful and fluffy and really nice, so I thought I'll have her having a major LSD psychosis, murdering Porky Pig and having sex with Christopher Robin from Winnie the Pooh. Why not?”

David Loy: Docker (apparently the same thing as a scouser); quixotic or realistic?
“What reflects through my poetry is how I see the world and things I live through,” especially, he says, “how information lives through me. That's everything that comes out of my poetry.”
What David has to say about Facebook is appealing: a virtual fax roll upon which each of us is writing our own story, each successive status contributing to that. But just because you're making a statement through Facebook doesn't make everybody else's statement any less of a status, from the quixotic to the realistic:
“Each to their own, kinda thing,” he says. “Some people might want to write something poetic, or provide a motivational quote, or a Bible verse, and some people just want to write, like, 'I'm going to the shop for a pint of milk'.”
Soliloquies are often followed by a silence of recognition and on Facebook this translates to them being 'liked' via the Like button more so than they receive comment upon. Does this tell us anything about their interpretation?
“I'll only write things that people can relate to,” says David, “I won't try and baffle people.”

TBC also features Manchester-based poets Des-Lexic & Alvin Sawdust as well as Karen Little who have spread their prosaic wings further abroad at other venues across the city. It's an exclusive group but an inclusive scene for anyone interested in poetry to a unique night out at one of Manchester's hidden gems of a venue.

Words & photo #3: Elijah James
Photos #1 & #2: courtesy of 3MT
Photo #4: courtesy of Fat Roland & FlashTagMcr

Thursday, 28 June 2012

Interview: The Imploding Inevitable Festival

Even some of the largest of the UK’s annual music festivals have decided to sidestep this year’s sporting attractions by taking a year off, but The Imploding Inevitable Festival will embark on its third year this weekend, bringing together some of the North West’s finest musicians and poets.

Of the larger festivals, Glastonbury has taken the opportunity for a fallow year while Sonisphere announced its cancellation in March. More locally, organisers of LadyRock had to pull the plug on their south Manchester based event, in an interview blaming the decision on a mixture of factors from poor Springtime weather to the Olypmics, whilst also pointing out the surfeit of nationally marketed, large weekend events, such as the Jubilee.

But The II Festival, as it is often shortened to, has persisted through the range of issues and will tomorrow (Friday 29th June) welcome fans of a variety of folk, blues and psychedelic music to its setting near Lake Windermere at Fell Foot Wood.

Director and curator Baz Wilkinson describes previous years and what to expect this year.


Now Then: Why did you begin the festival originally?

Baz Wilkinson: It seemed the next step up to celebrate a year of promoting the bands that we love. Not only that but it brings everyone together who love the bands, spoken word-ers and, well, we like to drag people from the mundane of everyday life and provide them with something that they can really enjoy and relax with.

NT: Do you have a festival philosophy?

BW: I suppose our festival philosophy follows on from the philosophy that we have created for our regular events. It basically revolves around putting the artist first, keeping things as cheap as possible, which means being non-profit, and ensuring diversity across the weekend and nurturing creativity. For example, in the first year we had the audience contribute a line of poetry to a mass ‘Exquisite Corpse’ surreal poem and last year we had a very good open mic section. This year we are doing the open mic again but also offering woodworking classes and even a crocheting group haha! It’s all good fun…!


NT: There seem to be ten festivals every weekend across the UK during the summer months these days; has it proved difficult with the competition? Why (not)?

BW: I think that’s always going to be a factor with these things. The only thing I can say from experience is that many of our ticket holders have been three years on the trot so we must be doing something right! Not only that, but the feedback we get each year has been superb and is great to read through after the event. I guess the most difficult thing is the weather; we’ve generally been lucky and had great weather but that’s always a wee bit of a worry. I’ve yet to try out my naked sun dance that I learnt when I was trekking in the hills of Wigan – maybe this year, it may catch on, who knows?! We could call it The II Festival With A Wink then ha!

NT: What made you choose the setting of Fell Foot Wood?

BW: Five words: Area Of Outstanding Natural Beauty. That is all.

NT: The festival remains very low key and independent; is that likely to change as the years go by? How big is it likely to grow?

BW: I’ve been asked this quite a bit which I like to think is because people can envisage it getting bigger, but for now we are quite happy with how it is. The atmosphere and vibes of the place has a really calming effect on the audience; it seems to put them at ease, forget their worries and have a great time! And, rest assured, if it did become bigger it would still remain true to its ethos in supporting locally sourced materials and food, being totally independent and supporting truly independent artists.

NT: Has there been an Imploding Inevitable Festival performance or moment that is particularly memorable for you?

BW: There’s been quite a few actually! Paddy Steer being unleashed on a totally unsuspecting audience in 2010 was absolutely fantastic. He had a dancing robot (which was actually Men Diamler), lazers and loads of flashing lights – it looked like a UFO had landed. Earlier that day Men Diamler performed waltzing through the audience on the most beautiful of days I’ve seen at Fell Foot – again, that took the audience by surprise and they loved it!

Last year, Magic Arm was the epitome of ‘aceness’, as were Driver Drive Faster. Regarding the poetry/spoken word, Mark Mace Smith put an incredibly gripping performance in showing his class yet again and I particularly love the diversity of that aspect of the festival each year. A truly memorable… memory was last year’s get-together after the bands had finished when we stayed up quite late laughing and drinking through the night with PICO (the comedy puppet act who will be at the festival again this year!) and some of the bands; I’ve never laughed so much I don’t think and those memories will stay a long time with me!

NT: How do you select the line-ups?

BW: It’s a tricky affair as we’d love to book everyone but obviously we have to say sorry to quite a few. But let’s start at the beginning – we’ve always booked based on three main underpinning aims: integrity, creativity and originality. All the artists we promote have these by the bucket-load, so then it’s a case of seeing who’s free, looking at the logistics and seeing what will work, etc. And if we still can’t decide we put all the names of the bands we love down on the floor and our mascot, the nocturnal aye-aye (as in The II Festival), points to the ones he’d prefer.

NT: What do you have lined up for 2012?

BW: We have another cracking line-up with Laura J Martin, Jonnie Common, Jess Bryant, Colorama, Denis Jones, Dave Rybka (Victorian Dad), Meursault (solo and a late addition), the eccentric and lovable Oddfellow & I, Harvey Lord, The Woven Project, David A Jaycock, Rob St John, two artists from Brooklyn, New York, in Jo Schornikow and Scott Rudd, Jo Gillot and not forgetting that Saturday morning we have a harp recital by Rachael Gladwin to wake people from their slumber. Alongside the music we have a superb selection of spoken word performers from comedy to story-telling to straight up poetry readings and then there’s the aforementioned Wood Craft and Crocheting circle to take part in. It’s going to be a cracker!

Words: Ian Pennington
Images: Courtesy of The Imploding Inevitable Festival

Tickets, including student discounts, are available from the site owner at Fell Foot Woods and you can avoid a booking fee by calling 01539 531014. There will also be an option to turn up on the day. For more info see the website and for ticket info follow this link.

An edited version of this interview previously appeared on Manchestermule.com

Monday, 10 October 2011

Preview: Manchester Literature Festival 2011

Oh dear, the onset of the dreaded Autumnal gloom is now well and truly here and the inches of rainfall from the now ever grey skies are increasing as the nights grow colder. Exactly the kind of weather where people decide that going out is just a bit too much effort. “I might just stay in and read a good book...” Yes I’ve been there; we’ve all been there, but for the next two weeks why not pack your books along with your umbrella and defiantly head out into the sodden streets? Today (10th October) marks the start of the annual Manchester Literature Festival, held across the city with plenty of interesting events to shelter you from the rain.

Saturday 22nd at Whitworth Art Gallery, for example, sees the world’s first purpose built mobile poetry emporium – or so they claim. The idea of which is to serve up eager poetry consumers with free, made-to-order poems in 10 minutes or less courtesy of their ‘poetry chefs’. Surely healthier than any burger van.

A particularly intriguing prospect is the audience with Anthony Horowitz (Thursday 3rd November) who will be discussing his modern take on Sherlock Holmes, a character loved by millions across the world. Horowitz is the first modern author to be officially commissioned by the estate of the original author Sir Arthur Conan Doyle. Has Horowitz continued the Holmes legacy staying true to his famously logical deductions to solve crimes in foggy 19th century London or has he updated and bastardised the character for a Hollywood generation?

Some of us are more interested in bright and shiny playthings rather than dusty old tomes. A need to be aware of everything and anything happening before it actually happens has led to a growing fascination with blogging culture. Everyone these days has a blog but only a handful of people do it well, to see who is champion of this minority head to The Deaf Institute for the Manchester Blog Awards (Wednesday 19th).

If the idea of this festival of literary delights has whetted your appetite don’t let the rain dampen your spirits – get out there! Chances are you’ll find a celebration of our greatest art form more entertaining and worthwhile than sitting around waiting to dull your brain with next week’s X-Factor tripe.

Words: Ben Robinson
Images: Logos from Manchester Literature Festival & Manchester Blog Awards