Showing posts with label David A Jaycock. Show all posts
Showing posts with label David A Jaycock. Show all posts

Thursday, 28 June 2012

Interview: The Imploding Inevitable Festival

Even some of the largest of the UK’s annual music festivals have decided to sidestep this year’s sporting attractions by taking a year off, but The Imploding Inevitable Festival will embark on its third year this weekend, bringing together some of the North West’s finest musicians and poets.

Of the larger festivals, Glastonbury has taken the opportunity for a fallow year while Sonisphere announced its cancellation in March. More locally, organisers of LadyRock had to pull the plug on their south Manchester based event, in an interview blaming the decision on a mixture of factors from poor Springtime weather to the Olypmics, whilst also pointing out the surfeit of nationally marketed, large weekend events, such as the Jubilee.

But The II Festival, as it is often shortened to, has persisted through the range of issues and will tomorrow (Friday 29th June) welcome fans of a variety of folk, blues and psychedelic music to its setting near Lake Windermere at Fell Foot Wood.

Director and curator Baz Wilkinson describes previous years and what to expect this year.


Now Then: Why did you begin the festival originally?

Baz Wilkinson: It seemed the next step up to celebrate a year of promoting the bands that we love. Not only that but it brings everyone together who love the bands, spoken word-ers and, well, we like to drag people from the mundane of everyday life and provide them with something that they can really enjoy and relax with.

NT: Do you have a festival philosophy?

BW: I suppose our festival philosophy follows on from the philosophy that we have created for our regular events. It basically revolves around putting the artist first, keeping things as cheap as possible, which means being non-profit, and ensuring diversity across the weekend and nurturing creativity. For example, in the first year we had the audience contribute a line of poetry to a mass ‘Exquisite Corpse’ surreal poem and last year we had a very good open mic section. This year we are doing the open mic again but also offering woodworking classes and even a crocheting group haha! It’s all good fun…!


NT: There seem to be ten festivals every weekend across the UK during the summer months these days; has it proved difficult with the competition? Why (not)?

BW: I think that’s always going to be a factor with these things. The only thing I can say from experience is that many of our ticket holders have been three years on the trot so we must be doing something right! Not only that, but the feedback we get each year has been superb and is great to read through after the event. I guess the most difficult thing is the weather; we’ve generally been lucky and had great weather but that’s always a wee bit of a worry. I’ve yet to try out my naked sun dance that I learnt when I was trekking in the hills of Wigan – maybe this year, it may catch on, who knows?! We could call it The II Festival With A Wink then ha!

NT: What made you choose the setting of Fell Foot Wood?

BW: Five words: Area Of Outstanding Natural Beauty. That is all.

NT: The festival remains very low key and independent; is that likely to change as the years go by? How big is it likely to grow?

BW: I’ve been asked this quite a bit which I like to think is because people can envisage it getting bigger, but for now we are quite happy with how it is. The atmosphere and vibes of the place has a really calming effect on the audience; it seems to put them at ease, forget their worries and have a great time! And, rest assured, if it did become bigger it would still remain true to its ethos in supporting locally sourced materials and food, being totally independent and supporting truly independent artists.

NT: Has there been an Imploding Inevitable Festival performance or moment that is particularly memorable for you?

BW: There’s been quite a few actually! Paddy Steer being unleashed on a totally unsuspecting audience in 2010 was absolutely fantastic. He had a dancing robot (which was actually Men Diamler), lazers and loads of flashing lights – it looked like a UFO had landed. Earlier that day Men Diamler performed waltzing through the audience on the most beautiful of days I’ve seen at Fell Foot – again, that took the audience by surprise and they loved it!

Last year, Magic Arm was the epitome of ‘aceness’, as were Driver Drive Faster. Regarding the poetry/spoken word, Mark Mace Smith put an incredibly gripping performance in showing his class yet again and I particularly love the diversity of that aspect of the festival each year. A truly memorable… memory was last year’s get-together after the bands had finished when we stayed up quite late laughing and drinking through the night with PICO (the comedy puppet act who will be at the festival again this year!) and some of the bands; I’ve never laughed so much I don’t think and those memories will stay a long time with me!

NT: How do you select the line-ups?

BW: It’s a tricky affair as we’d love to book everyone but obviously we have to say sorry to quite a few. But let’s start at the beginning – we’ve always booked based on three main underpinning aims: integrity, creativity and originality. All the artists we promote have these by the bucket-load, so then it’s a case of seeing who’s free, looking at the logistics and seeing what will work, etc. And if we still can’t decide we put all the names of the bands we love down on the floor and our mascot, the nocturnal aye-aye (as in The II Festival), points to the ones he’d prefer.

NT: What do you have lined up for 2012?

BW: We have another cracking line-up with Laura J Martin, Jonnie Common, Jess Bryant, Colorama, Denis Jones, Dave Rybka (Victorian Dad), Meursault (solo and a late addition), the eccentric and lovable Oddfellow & I, Harvey Lord, The Woven Project, David A Jaycock, Rob St John, two artists from Brooklyn, New York, in Jo Schornikow and Scott Rudd, Jo Gillot and not forgetting that Saturday morning we have a harp recital by Rachael Gladwin to wake people from their slumber. Alongside the music we have a superb selection of spoken word performers from comedy to story-telling to straight up poetry readings and then there’s the aforementioned Wood Craft and Crocheting circle to take part in. It’s going to be a cracker!

Words: Ian Pennington
Images: Courtesy of The Imploding Inevitable Festival

Tickets, including student discounts, are available from the site owner at Fell Foot Woods and you can avoid a booking fee by calling 01539 531014. There will also be an option to turn up on the day. For more info see the website and for ticket info follow this link.

An edited version of this interview previously appeared on Manchestermule.com

Tuesday, 3 April 2012

Monkey Poet: spoken word, Spoke'n'Heard and Dulcimer all dayer

Matt Panesh, aka Monkey Poet, is a poet with a plan. He is seeking to refresh old-fashioned preconceptions about spoken word as a dull and forgotten art form by curating a series of monthly nights at Gulliver’s in the Northern Quarter.

They are events organised in his own image, showcasing an infusion of comedy, poetry recital and dramatic performance all hinged around rhythmic complexities and linguistic delights. Even the title, Spoke'n'Heard, is an indicator of his penchant for puns.

The next opportunity to experience this will be on 18th April, where Kate Fox and Tony Walsh – of Radio 4’s Saturday Live and Glastonbury Poet Laureate fame, respectively – will take on the task of entertaining the upstairs room at Gulliver’s, armed with only a microphone and their arsenal of articulation.

His own show can be seen at an all day event on Easter Sunday at Dulcimer bar in Chorlton, as compere at a showcase of live acoustic, folk and spoken word co-promoted by Now Then Manchester and Imploding Inevitable.


Known for his raucous performances and rhythmic wordplay, Matt will recite some of his own work between curating a line-up of other local poets and introducing open mic slots scattered across the billing. Any poets keen to be involved should contact ian [at] nowthenmagazine [dot] com.

Elsewhere on the day, there’ll be an array of live musicians, including David A Jaycock who will headline as part of his current North West mini-tour. His second album of a few years back, The Coleopterous Cuckoos Collude, was released via Manchester label Red Deer Club Records and is an all-encompassing crossover between darkly delivered instrumental stories and finger-picked folk, à la Rick Tomlinson of Voice of the Seven Woods and Voice of the Seven Thunders. Its darkly psychedelic edge caught the attention of Sheffield’s Blackest Rainbow record label – home to Manchester’s Gnod amongst other acid-folk and psyche-rock talents – who have subsequently aired his latest two records.

As compere for the day, Panesh will have a busy Bank Holiday Sunday with nine more musical acts to introduce in addition to extended spoken word slots.

Words: Ian Pennington
Now Then poster art: Hattie Lockwood
Spoke’n’Heard posters: courtesy of Monkey Poet

The Now Then Imploding Inevitable All Dayer will take place at Dulcimer in Chorlton on Sunday 8th April from 1pm until 11.30pm. Tickets are available here or from the venue.

Spoke’n’Heard continues every month on the third Wednesday at Gulliver’s. Click here for more information.