Preview: Video Jam returns

The not-for-profit event curator Video Jam is set to assemble another eclectic mix of audio and visual artists for their next Antwerp Mansion showcase later this month.

After a short hiatus, Video Jam has set the date of Sunday 18 November for a fourth instalment.

The event, which has not been staged at its regular Antwerp Mansion home since July, will again create a speakeasy café environment for audience members to lounge in front of a makeshift screen fashioned from a large sheet while a variety of musicians and poets will provide a score. If that sounds ramshackle, then it is charmingly so.

The show will be left open to the interpretation of musicians Adam Hart, Boz Hayward and his Bozchestra, members of Songs For Walter, double bassist Dickon Kyme-Wright, Chris Barrett, opera soprano Lisa Newill-Smith, Fizzy Vickers as well as performances by writer James Leach and visual artist Sarah Hill. All of whom have been allocated a short film with which to work – most are produced by local filmmakers with one having recently premiered at the Cannes Film Festival.

In the time since their last showcase at Antwerp Mansion, Video Jam has collaborated with Blank Media Collective at Sandbar as part of the Projector Series this summer and have more projects in the pipeline for next year.

Words: Ian Pennington

Video Jam 4 will take place on Sunday 18 November at Antwerp Mansion, Rusholme. 7pm doors, £2 entry on the door. For more information, see their website. This article first appeared on the Manchester Mule website.

Arts, Music & Events Preview, April 2011 (Part Two)

Earlier this month I wrote a few words to report on the aftermath of the Arts Council England funding allocation; specifically its effect on Manchester arts groups. A major casualty, the article stated, was greenroom, which has since announced its closure to the public from the end of May. So a fitting way to start off this second instalment of April’s should-attend events waffle is with a greenroom event. Wednesday 20th is the launch of Blank Media Collective’s final exhibition at the Whitworth Street producing house, Who’s Laughing Now?, which takes on ideas within taxidermy such as personification, lasting images, death and guilt; relevant topics given greenroom’s situation.

On a lighter note, Islington Mill hosts the debut screening of Manchester based Fritz von Runte’s project merging Kubrick’s 2001: A Space Odyssey with David Bowie’s career output as a recording artist on the same night. That one will include a discussion about the film, Bowie2001: A Space Oddity, and the finer points of intergalactic references in Bowie’s music, while Thursday 21st welcomes another screening before a fancy dress disco.

Thursday 21st also beckons through another short stint for the Warehouse Project. The opening night is the pick of them with 2manydjs and Aeroplane topping the bill. More follows nightly until Sunday 24th.

Friday 22nd is another one at Islington Mill – a line-up composed of Scotland’s finest folkies. Fence Collective bring along Lone Pigeon and The Pictish Trail, while Song, By Toad Records cohort Jonnie Common offers a tune or a few in support. Red Deer Club Recordings, who’re co-promoting it, have some other worthwhile news: another Awesome Wells record (Carry On Awesome Wells), released on Monday 25th and containing wilfully askew bandstand park-fillers, whimsically oblique in its varied instrumentation and modern Animal Collective harmonies.

Back on track, there’s more to mention for the 22nd courtesy of Naive Melody residents at Charlie’s. Here’s a taster of their cosmic grooves.

Fast forward a little to Wednesday 27th and you’re met by a Bonobo show at Band on the Wall. See this if you can. Another gig the following night, Thursday 28th, is a Little Red Rabbit promotion in the form of Nick Cave sound-alikes Last Harbour at Sacred Trinity Church.

And so to the much-discussed Bank Holiday on Friday 29th. Without going too far into the anachronistically outdated reason behind the holiday, it has served up an enticing array of artistic options. Rotters Golf Club label ringleader Andrew Weatherall will take on the role of chief tune-selecter, mixing funky tech for Content at Joshua Brooks. Or there’s Mount Kimbie, who need no introduction to anyone familiar with this blog. Now Wave have booked them the Deaf Institute stage for the night.

More conjugally conscious are Islington Mill’s Off With Their Heads assorted festivities (including a tug of war between royalists and republicans) and an early afternoon Funeral Procession, a satirical stab at mourning the public services that have passed on in favour of archaic feudalism. Vive la République.

Moving onto Saturday 30th, Denis Jones headlines a show at Fuel Café, presumably partly as a warm-up for his Sounds From The Other City appearance, where he’ll be soundtracking a film on the Bad Uncle / HearHere stage. There’s plenty more besides; the festival has grown again, flexing more musical muscle down Salford’s Chapel Street.

Words: Ian Pennington

Where next for art in Manchester?

The announcement of the fortunate few recipients of the Government’s Arts Council England (ACE) funding scheme is due by the end of March. To put it bluntly, thanks to irresponsible bank management, public money that could have been used as funding for the arts has already been distributed as bankers’ bonuses and to rub salt in the wounds we now live under the rule of a government convinced that a regressive state is the answer. As a result, even those who usually expect funding wait with bated breath. This has affected Manchester groups in differing ways; Ian Pennington spoke to representatives of Mooch N4 Street Art Gallery and Blank Media Collective, two examples of local groups with contrasting responses to the cuts.

To set the scene, a 10-year strategic framework was published under the title of Achieving great art for everyone last November and, as the result of what the Arts Council North West’s spokesperson describes as “major consultation with all those involved or interested in the arts,” Arts Council England is certain that it represents the best option for everyone, particularly given the circumstances of the recession’s playing field.

You’ll be aware of the recent cuts to public spending, I’m sure. Here’s a quick recap on how the ConDem blade fell on the arts: last October the Arts Council England (ACE) announced a 29.6% cut to their budget over the next four years, with 6.9% immediately trimmed from the majority of funds previously announced for 2011/12, and its Chief Exec Alan Davey adding that he expects the ruling to have “a significant impact on the cultural life of this country.” Then in January the inevitable scramble to the top of a thinning money tree was reported by ACE; the consequence is that “approximately 1,340 arts organisations across the country [have] submitted a request to be part of the new portfolio.”

Davey, in something of an understatement, admits via the ACE website that, “demand for funding will outstrip supply.”

Many will be left without the funding that they hope for, although it’s worth remembering that some Manchester arts organisations have been coping well enough without public funding. But that isn’t to say that public spending won’t affect currently non-funded arts projects, at least indirectly.

Certainly, by the time the cuts have filtered down through the hierarchy, smaller independent groups will be left to feed on scraps. Christina Pavlou, former curator at the recently closed Mooch N4 Street Art Gallery and now unemployed, makes the point that lack of funding for other local organisations can have a knock-on effect to those operating in related industries. “The strain can still be felt in the privately funded sector. With Mooch N4 we were completely independently funded, with the income on sales supporting the payment of staff, rent, electricity and publicity. There was a definite drop in sales when the arts cuts were announced, and as a result we did not have the income to stay open. We decided to close rather than change our independence by getting funding and having to follow what the government man says we should do.”

The final point is salient. There are benefits to remaining free from funding in that ticking boxes to adhere to application regulations doesn’t have to clog up your to-do list. However, it does make life more difficult when you’re forced to organise and promote shows under your own steam, something that Pavlou has persevered with under the HldTght moniker.

Of the Arts Council’s expressed funding goals, one seems most relevant given much of their upcoming work could potentially revolve around alternatives to funding: “Goal 3: The arts are sustainable, resilient and innovative.” Reading between the lines, this aim essentially exists to encourage non-funded artistic practice and to diminish reliance upon the Arts Council to make a living in the arts.

This is a mindset that Blank Media Collective has adopted from the outset. Their DIY mentality has led to a gradual and organic growth over the past five years, culminating in a new home on Hulme Street, BLANKSPACE, which was formerly the easa HQ. Talking after their successful launch party at the new gallery space, the Blank Media Collective Director Mark Devereux insists that all is not lost following the cuts. “There are potentially both good and bad implications and time will only tell over how each organisation, gallery, artist and creative reacts and responds. As the Director of a small arts organisation I feel our role is now even more integral in making sure the platform and opportunities are given to emerging artists and nurturing the future artists for the next generation.”

However, the funding question rears its head here as well. Compared with Mooch N4, Blank Media’s attitude differs in the sense that they seek Government funding where possible, but have the foundations in place to maintain their work on a tight budget. To take the next step Devereux admits that Blank Media will require some outside monetary help, “[we are] currently working on a number of funding applications to help the future of the organisation, increasing the support we are able to give to emerging artists. We are well aware this is our next big challenge, however because of our background of implementing projects on shoe-string budgets we know we are able to continue our work even without any external funding.”

The overriding sentiment is one of stoicism; it’s not exactly business as usual when the goalposts have moved and narrowed, but there’s no point crying over a pot of government gold that has long since been spilled into the coffers of flagrantly foolhardy bankers. “If we start worrying about how the cuts will affect this, that and the other it will spurn creativity even further,” offers Devereux. “Groups should work within their means, continue to create platforms and raise the interest in the fantastic work by the artists they support. We should do what we are good at – think outside the box...”

Words: Ian Pennington
Images: Courtesy of Blank Media Collective

[An edited version of the above article appeared earlier this week on the Manchester MULE website]

Arts, Music & Events Preview, March 2011 (Part One)

It’s already been a busy month so far, hence the lack of preview until today. Chances are that the omission of a neat, overly wordy events navigation has spun your social compass into a magnetised frenzy. So to prevent any further blind stumbles through Manchester’s happenings, here’s a rundown of what’s to come.

Friday 11th’s evening seems as good a place to start as any, being as it is the starting point for Continue, a new post-dubstep, IDM styled affair at Sankeys. Hotflush Recordings label boss Paul Rose headlines in the split musicality of dark electronic sub-bassman Scuba and tech-fuelled alter-ego SCB, while the likes of Dark Sky and Mind On Fire compilation favourite XXXY fill other slots across the night.

Sunday 13th is one for Debt Records, who’ve lined up their entire roster plus a couple of extras for a charity-oriented Band on the Wall show. Keep the earlier-than-expected kick-off time in mind so as not to miss a stellar cast from John Fairhurst to Josephine.

Oliver Stone’s recent documentary, South of the Border, is free to waltz into on Monday 14th at the university's Open Media society. Fill your head with thoughts on the various propagandising of a North/South American divide before emptying it again amidst the mellowing tones of Submotion Orchestra, who top a Hit&Run bill at Mint Lounge. Keep an eye out for their forthcoming single ‘All Yours’; released later this month on Thursday 24th.

From the Americas to Africa in the space of a day; Ethiopian jazzman Mulatu Astatke (whose recent album was reviewed in Now Then Sheffield here) is booked in on Tuesday 15th for a Band on the Wall gig of the ilk you won’t see every day. In short: Do. Not. Miss.

Shifting marginally across the jazz plateau, highly recommended 2005 Mercury Music Prize nominees Polar Bear are Hear Here’s next offering on Wednesday 16th. They’ll be joined onstage at Sound Control by Portuguese rapper Jyager, and in support by former Now Then Manchester gig-closing soundwall merchants, King Capisce.

The sea of green fancy dress you’ll encounter on Thursday 17th is the major clue for the Ireland-related Guinness-athon that is St Patrick’s Day. Bar Centro plan an artistic angle under the eyebrow-raising moniker of The Trials and Tribulations of a Romano-Briton Snake-Hater. DJs are promised to give the visuals some audio accompaniment. Also in art that day, Blank Media is hosting an intriguing interpretation of the artworld’s similarities with religious dogma. MMU’s Ryan Higgins curates No Offence Intended at BLANKSPACE.

Finally for now, Friday 18th sees WARP’s Seefeel perform scuzzy mind-tingling shoegaze, courtesy of Now Wave and Islington Mill.

Words: Ian Pennington

Arts, Music & Events Preview, February 2011 (Part Two)

It’s been a revolutionary month so far but largely one for the armchair supporters in this country. I don’t foresee a fortnight’s worth of protest in the cotton capital over here but there’s plenty to sink your political teeth into, as well as gigs, exhibitions and all the rest.

This evening (Tuesday 15th) there’re a couple of gigs worth a look; This Is The Kit bring some lo-fi folk to the Night’N’Day Cafe while Debt Records signees Red Tides add more of the same in support. And Darkstar return to the Deaf Institute after their support slot with Matthew Dear last year, this time headlining.

Wednesday 16th shapes up in a similar vein with a pair of Now Then endorsed shows to sample. The Night’N’Day again plays host, this time to Animal Collective semi-copyists Fixers, a band who equally invoke Coldplay. Confused? Intrigued? Both fair reasons to check them out. Ryan Francesconi is on down the road (Oldham Street) at The Castle Hotel and if you need any further encouragement for that one, Hey! Manchester, who don’t often put a foot wrong, have organised his return following a stage-sharing with alt-folkie pin-up Joanna Newsom last year.

Also on Wednesday is a socio-economic discussion put on by Manchester Salon, entitled China’s Economic Growth: What Should We Celebrate? Alan Hudson and Berthold Schoene are the guest speakers, respectively focusing on the social possibilities of Chinese urban centres given rapid recent development and planning, and the west’s mentality towards globalisation and cosmopolitanism as factors in the relative stagnancy and decline of western society. Those waxing lyrical can be found in the Shakespeare Pub just off Market Street.

Or, finally, put your feet up for a Wednesday film upstairs at Trof Fallowfield. Shock Doctrine will be beamed onto a screen, pre-Cool Runnings, and it’s guaranteed to be more enjoyable than straining your ears through a barrage of popcorn crunchers at any given Orange Wednesday theatre.

While your political head’s screwed on you might appreciate a trip to the University of Manchester on Thursday 17th to look back at the 1990s opposition to Manchester Airport’s second runway. Joining will be guest speakers, including legal experts, who’ll be armed with a shedload of photographic slides while evaluating your, and humanity’s, carbon footprint.

Carefully Planned take their all-day gig a stage further; this is their 8th on Saturday 19th and the usual varied genres apply, broadly under an independent umbrella. Halifax’s Battles-esque prog troupe Wot Gorilla? and Huddersfield’s jazz-sampling hip-hop duo Imranimal with DJ Illas are just two of the diverse mix.

Art Corner launches its latest array of artistry, featuring twenty-odd easel-wielders, shape-sculptors and paint-merchants interpreting the title Desire & Repulsion: Grotesqueries. Monday 21st is the opening date, which is a date shared by MIE Music and their show at Islington Mill. They’ve talked the Flower/Campbell duo into another appearance (following last November’s Fuel gig) and the eardrum obliterating Our Love Will Destroy the World headline.

As you may or may not have heard, off-kilter MuseRadioheadPortishead summoners Kin will disband after this month and Thursday 24th is a final chance to catch the four-piece on the same stage. Interested collaborators Mr Heart and Veí support.

On the same evening BlankMedia freshen up the decor at their new BLANKSPACE abode. Freedom From Selection invites artists to introduce a biological slant to compositions, which will no doubt provoke some responses worth viewing.

Closing in on the end of the month, I’ll finish with a trio of gigs; Friday 25th sees Yuck at the Night’N’Day cranking up the level of 80s/90s American lo-fi indie influence; same day for a King Creosote / The Earlies double-whammy at Band on the Wall. Then ambient soundwalling glitchman Venetian Snares unpacks his electronic beats orchestra in Jabez Clegg on Saturday 26th.

Words: Ian Pennington

Arts, Music & Events Preview, January 2011 (Part Two)

Like a bleary eyed mid-morning on a lie-in day, 2011 is creaking into action. If you’ve already broken that New Year’s resolution then here’s another: check out more of the many events in and around the city. Here are some pointers...

There’s a discussion this evening (Wednesday 19th) on the relevance of poetry in our society; covering some recent attempts to rebrand the spoken and written verse as well as its appearances in other aspects of popular culture such as film and music. Manchester Salon host it in the Blackwell University Bookshop, inviting along Angelica Michelis and Anthony Rowland to shape the open conversation. If you can’t make it, then feed your thoughts on the intriguing subject with their selected background readings.

A reminder that Mooch N4 will bite the dust in a couple of weeks, so grab the opportunity to browse while it’s still standing.

Remember Dot Dash? It was a popular alt-indie clubnight in the Scubar (RIP) basement a couple of years ago. The only reason I mention it is that the Big Scary Monsters Records playlist at Trof on Saturday 22nd is shaping up with a similar ring to it.

As mentioned earlier this month, The Castle Hotel has been setting out its gigging stall as its New Year's revolution. They continue on Monday 24th with a night of folky balladeers headed by Dana Falconberry and curated by local folk troupe The Travelling Band.


Fast forward to Thursday 27th and Blank Media Collective open the doors to their new BLANKSPACE venue with an introductory exhibition under the banner of BlankExpression. Situated at the former home of student arts group Easa on Hulme Street, BLANKSPACE’s four walls are to be adorned by work from 27 artists. The doors remain open until 9pm on that launch night, at which point you could venture across to New Wakefield Street's Sound Control with ample time to catch one of the triumphs of 2010 in the form of cosmic disco groover Aeroplane, who tops the Drop The Mustard promotion.


But keep in mind the latest organised cycle with Bike Friday the following day; don’t tyre (geddit?) yourself out by staying out drinking too late. But if you can ‘handle bars’ (too much?) then I’m sure it’ll be fine. More info on the when and where is here. Too cold for a pedal around town? Another option on Friday 28th is to warm your cockles next to the proposed Manchester Artists’ Bonfire at Islington Mill, where submitted pieces will be ritualistically burned as a symbolic response to the swingeing arts cuts. Described as ‘an event for artists, by artists’, you’re asked to write 250 words explaining your reaction to the event and its motives in order to take part, and the deadline to do so is Wednesday 26th.


Doing some more burning – this time of the midnight oil – that night will be the mouth-watering results of a tech house promoter merger. Über Disco and Untold Motion become Über Motion for the purposes of staging Sascha Dive at Sound Control. Mind On Fire will also be DJing in the building.

Saturday 29th is one of those where everything is scheduled to happen all at once. Well, not everything, but there’re a few options. First off, a toss-up between two political avenues. Those favouring direct action, say aye – and head out to the latest anti-cuts march, starting at Manchester Museum at 1pm before cruising down to Platt Fields for a rally. Don’t let a one-off fire extinguisher incident, and the subsequent undergrad degree-length jail sentence, put you off. Those who’re naysayers to the question of a stroll down Oxford Road while the temperature’s still a bit iffy may favour the Manchester Trades Union Council Conference at Friends Meeting House, where there’ll be stalls (including Manchester Friends of the Earth), and aims to assist workplace and community cuts and to mobilise ahead of a demonstration on 26th March.


In music that day there’s a Friends of Mine all-dayer packed with should-see local bands, from Jim Noir to Air Cav, via The Janice Graham Band, Lucy & The Caterpillar and Rook & The Ravens. That one’s shared between Jabez Clegg and Kro Bar, and acts as a warm-up to their field-based Friends of Mine Festival in May. And if your eyes are still open after all that then there’s the first in Hoya:Hoya’s Secret Series. They’re at the Roadhouse, but just who ‘they’ are will remain a mystery until you arrive. Expect a night of off-kilter glitch-tronica.

Call the Sunday a day off after all that, but Monday 31st sees one worth venturing out for. Veí (who appeared at our Now Then Manchester event in October) takes his electronic orchestra to Tiger Lounge for the Big Dig showcase that also features Leonard Rossiter; free entry.

Finally, the 31st is also pencilled in for the release of local Idlewild soundalikes City Reign's sophomore single, 'Out In The Cold', on their own Cat Boot Records label.

Words: Ian Pennington
Image 1: Michael Thorp
Image 2: Rebecca Wild
[Images 1 & 2 appearing as part of BlankExpression 2011]

Arts, Music & Events Preview, November 2010 (Part One)

Welcome to November; home of charitable moustache movements, money up in smoke and the onset of that one-hour shift in your daylight allocation. We’re now into ‘the darker half’ of the year, if you follow your Celtic tradition, and so malevolent spirits have moved on by; fooled by your Scream or Jigsaw masks.

Which conveniently (ish) leads me onto the beginnings of this month and the benevolence that remains. Today (Monday 1st), if you read this in time, there’s a forum in Hulme to discuss climate change solutions. Starting at 5pm, the Community Engagement and Climate Change forum is staged by Manchester Friends of the Earth and will feature proactive discussion and global case studies within the confines of St Wilfrid’s Enterprise Centre. Another from Manchester FoE the following day is Moving Manchester at Friends Meeting House, 7pm. Amongst others you’ll potentially hear from local public transport monopolists, Stagecoach, and the City Council about transport policy in the area.


If you’re after some intriguing music this evening and still have demons to exorcise then head to Islington Mill for a post-All Hallows Eve Zombie Zombie performance of John Carpenter’s enviable compositions.

Onto a theatrical slant, Contact Theatre has a new production under the moniker A Night on the Tiles. One for the board-game wordsmiths, it hinges on a high-stakes game of Scrabble and runs from Tuesday 2nd until the middle of the month. Also on the Tuesday, Ruby Lounge hosts James Yuill for an evening on poppy electronica.

For those who’re still living off Frank Zappa’s world-wise pearls of wisdom (eg “don’t eat the yellow snow”) and jazz-infused psyche weirdness, a sometime incarnation of his former backing band, The Grande Mothers Re Invented, promise a rehash of Zappa’s extensive back catalogue mixed in with blues numbers and their own ditties. Wednesday 3rd at Deaf Institute.

Thursday 4th sees a folky highlight at Silver Apples in West Didsbury. Folk Lore has lined up The Winter Journey and The Acoustic Conquistador for this month. Both are worth your time and free entry is always a bargain.

Steer clear of pyromania and the homage to Guy Fawkes by instead catching Casiotone for the Painfully Alone’s farewell tour. The lo-fi twee maestro is another stopping at Deaf Institute, with Hey! Manchester providing directions this time on Friday 5th.

Dieter Moebius is an incredible coup for Mie Music. They’ve booked the cosmic synth operator and Cluster co-founder in for Sunday 7th at the ever-creative Islington Mill. Synonymous with Krautrock’s golden era in the 70s, Moebius also has past collaborations with Brian Eno and Neu!’s Michael Rother on his CV.

Visit the Anthony Burgess Foundation HQ on Thursday 11th and you’ll be treated to sets by local songwriters Gideon Conn & Josephine Oniyama in a special seated show.


There’s another birthday for a long-running Manchester clubnight this month. This time it’s Micron who’re celebrating and in doing so they’re planning to share a present of Danny Howells for a six-hour stint on the decks, stretching through the early hours from Friday 12th.

Blank Media Collective have set aside that whole weekend, from Friday 12th until Sunday 14th for their wide-reaching takeover of artistic attentions. Alongside some of their ongoing exhibitions, BlankWeekend promises poetry, arts workshops, music (courtesy of Day For Airstrikes, Go Lebanon and others) and general mischief. Best to visit the links for a detailed breakdown of events.

That’ll do for now, but there’s plenty to look forward to beyond the mid-month mark.

Words: Ian Pennington

Neck of the Woods @ Nexus Art Café, Friday 12th February – Sunday 11th April

What is community in the 21st Century? The question I’m asking here is the central theme of an upcoming exhibition at Nexus Art Café, organised by Blank Media Collective. On one side of the coin we live in a global village, with all the benefits of information, ease of communication and travel that this brings; advances in technology rapidly bringing us closer together. Whereas the other side of the coin offers a sense of community increasingly impersonal with the internet, e-mail and i-things.


The exhibition will include artists’ many angles of response to the premise, none more abstract than Lynne Heller’s exploration in the online world of Second Life, a concept seemingly anti-community in the traditional, real-life sense. But this is where the ‘community’ definition through art is all the more intriguing; where once you could paint yourself in utopia, now you can interact and communicate in such a world.

Others will display their thoughts on the lead question, including collaboration between Manchester-based artist Taneesha Ahmed and Alex Moore to present their own community named The Denmasons. The idea being that of a secret society akin to those you’d create as a child whilst building a den in your bedroom or back garden.

It all begins tonight (11th February) with a preview (6-9pm), and continues from 12th February through until 11th April.

Words: Ian Pennington
Picture, top: Ben Rose 2008
Picture, middle: Lynne Heller, Snow / Globes, 2009-10