Arts, Music & Events Preview, February 2011 (Part One)

I dislike introducing these with a comment about the weather, but often the temperature does correlate with event attendances. The clear blue skies are hopefully indicative of more plentiful audiences to come; here’s where you should be:

Tonight (Tuesday 1st) there is another instalment of the Manchester Salon discussion group at Tempus Bar on Oxford Road. Entitled First Tuesday, the premise is to discuss and debate current affairs on the first Tuesday of the month; this month focussing on Egyptian politics, Wikileaks and the various permutations of conspiracy and general arcane stupidity of the backward-thinking pundits at Sky Sports. You will likely have opinions on all three, so this is a chance to talk the ear off some fellow opinionators.

Cool Runnings once more brings its feel-good reggae vibes to a corner of Fallowfield on Wednesday 2nd. The corner in question being The Corner. Y'know, the one with the mannequins outside.

An Outlet’s Some Drum I Would Never Hear monthly showcase dips once again into the musical mixed bag on Thursday 3rd; picked out this time are Run Toto Run and two-fifths of Slow Motion Shoes to cement an overriding electro-pop vibe, while performance poet Martin Visceral is also welcomed alongside resident PJ Harvey clone Eleanor Lou. Across the Northern Quarter there’s a penultimate show for Kin before relocation forces a band dismembering. That’s at Gulliver’s. Neither will take any of your recession pennies when you step over their thresholds to entertainment.

Local filming fanatics MCR Scenewipe are staging a talented triangle of local ladies on Friday 4th; Liz Green, Josephine and Naomi Kashiwagi are at the vertices and you can catch all 180° for free at Fuel in Withington.

The weekend of 5th and 6th sees a rearranged art exhibition courtesy of Lead Pencil and Kraak Gallery. It’s called Pluto and Uranus are Missing. There’s an intergalactic theme; check it out. Gigs-wise on Saturday 5th, Louis Barabbas & The Bedlam Six stride the Dancehouse stage again – this time with John Otway in a performance planned to be recorded for longevity and released through Debt Records soon afterwards on Monday 7th. To sweeten the deal, your entry fee also secures your sobriquet in the record, Get Religion’s, sleeve notes.

For those looking to bounce to the beats of minimal tech and house, Content have booked in Agnes at Joshua Brooks until the early hours. But don’t forget that Sunday 6th is the last chance to submit some scribbles for Art Corner’s latest display, Theories of The Grotesque.

Closing in on the halfway point, there are a few clubnights that’ll agreeably bang aural hammer to anvil; Dots and Loops for a Tiger Lounge mash of lo-fi indie kraut-tronica on Thursday 10th; Hot Milk’s dancehall dub at The Roadhouse on Friday 11th; more from This City Is Ours’ regular electronic soiree at An Outlet on Saturday 12th. Follow all that up with the second of Hoya:Hoya’s Secret Series at The Roadhouse.

Catch your breath for a second then seek out a V-Day record release from Red Deer Club towers. Stealing Sheep’s The Mountain Dogs follows the RDC penchant for girl-group folk-pop (Sophie’s Pigeons, Sarah Lowes) with an EP littered with melody and expansive harmonies. The overall tone flitters from chirpy to twisted, sombre to sunny, but you’ll settle on the title track; it’s a real treat.

Words: Ian Pennington

Arts, Music & Events Preview, December 2010 (Part One)

Your teeth are iced together, you can see your exhalation condensing, your gas bill is going to be astronomical, but the length of this city’s independent what’s-on list is showing no signs of diminishing in the same vein as the height of mercury in your thermometer. If you’ve been taking part then a Movember ‘tache will help mask some of the cold, but otherwise I’d recommend braving the outdoors for the following.


Welcoming in the final month of 2010 will be Trof Fallowfield’s regular Cool Runnings activism and dub reggae clubnight. Arrive early on Wednesday 1st and you’ll learn about the intentions of Manchester Social Centre and autonomous social centres in general.

Still on the political activism slant, there are a couple more educational evenings soon after on Thursday 2nd. University of Manchester-based group, Open Media, are screening Crude: The Real Price of Oil in University Place Theatre A; open for students and non-students alike. On the same night Salford’s Working Class Movement Library open their Object Lessons Part Two exhibition, in collaboration with the curators at Islington Mill, which sees the results of artists digging through the WCML archives and interpreting their findings for display. There’s no rush though since it’ll adorn those walls until the end of January.

Also on Thursday 2nd, Format invites you to its dubstep infused 2nd birthday. Billed as live and in 140bpm are Pinch and Distance, while local favourite Illum Sphere is set to fill your ears in support.

Shifting tempo and pitch a little along the dance music spectrum for Saturday 4th, Wigflex host a tech-flecked discotheque at Sound Control with Shed and Al Tourettes mixing their beats and pieces. In the arts, Kraak Gallery house a weekend arranged by local artists collective Lead Pencil under the cosmically themed Pluto & Uranus Are Missing heading.


Monday 6th at Deaf Institute is safely the gig of the month as Now Wave team up with HearHere to pair a couple of electronic forerunners in the shape of melodic minimal-tech maestro Matthew Dear and Darkstar, a trio often lumped in the post-dubstep, future-beats niche alongside Mount Kimbie (but just as often recognised as inhabiters of that music journo nightmare; a current genre void). Dear is due to DJ at the Simian Mobile Disco Warehouse Project, but Monday's live show has that extra appeal on a rare tour.

Back at Kraak, a quick turnaround is scheduled to pave the way for an exhibition whose accompanying acronym is one of the more fulfilling you’ll find. Super Awesome Fun Exhibition, aka SAFE, features the idiosyncrasies of Florian Fusco, amongst others, from Wednesday 8th. The 8th is one of those busy days with plenty to choose from, so perhaps save this one for another time before it ends on Wednesday 22nd.


Elsewhere on the 8th there’s a forum going by the poser of ‘How can the third sector help shape transport in Manchester?’ If you have the answer, then bob along to The Mechanics Institute in the early afternoon. For those who like their rave tinged with funky electro-house, Prostitutes & Policeman have pencilled in Fake Blood to paint the town red (or Sankeys at least). There’s also the first instalment of Sounds From The Other City’s winter incarnation, Sounds Like Another Christmas. Aside from being a less impressive acronym than Kraak’s (see above), SLAC is a sort of watered-down, spaced out (as in time-wise, as opposed to ‘whoa man, this is some spaced out psychedelica’) version of SFTOC. The premise is one of partnership promotions with some local music selectors, with fanzine Pull Yourself Together getting the ball rolling at Salford’s Kings Arms pub by asking Liz Green and Dinosaur Planet along to perform.

Second on the SLAC front is Bad Uncle’s planned staging of epic jammers Rangda, Howlin’ Rain and Easter. Don’t miss that.


If you thought I meant ‘spaced out’ in the psychedelic sense then you won’t be disappointed by the Now Wave/SLAC collab that brings both of Ripley Johnson’s soundwalling projects, Wooden Shjips (@ St Philip’s Church) and Moon Duo (@ Islington Mill), to the Chapel Street vicinity, separated by mere minutes. That one’s on Friday 10th; another busy slot for listings.

Another option is Chorlton recycle artists Rubbish Revamped, who take over Beech Road’s new café On The Corner, 6-9pm. Or if you’re out in town, then head to the intriguing, seasonally focussed fare at Briton’s Protection. Folk Threads have set up an open mic night a cut above many others by inviting musicians and poets to try their hand at writing original material on the subject of ‘winter’. To get involved contact the linked email, or just turn up to see the results.


Finally on that Friday, crack out the baubles and tinsel for a pair of nights loosely riffing around the proximity of Western civilisation’s favourite consumer-fest. There’s a couple of stars on top of the Dry Live tree, co-headlined as it is by both The Rook and the Ravens and Ten Bears, who’re then followed up by Revolver and Good Vibrations DJs. And not forgetting the partridge in a pear tree. Over in Withington, Red Deer Club and Cloud Sounds are generating more early festive cheer. There won’t quite be twelve drummers drumming, but with Fuel’s two floors both in action between 5pm and 2am, they’re not far off that tally; Y Niwl and Jane Weaver topping the lists upstairs and downstairs, respectively.

The closing two SLAC nights feature Helmets For Men (Saturday 11th) and Comfortable On A Tightrope (Sunday 12th) showcases. Alternatively on the 11th, Warehouse Project have another mammoth array of floor-fillers, this time curated by Modeselektor and featuring Moderat, Hudson Mohawke and a bunch of others intent on soundtracking your all-nighter.

Everything Everything move swiftly on from debut album critical plaudits by drafting in an orchestra for a one-off at the RNCM on Monday 13th. That one’s on Now Wave’s clock as well.


And last but not least: two records from local musicians worth banging against your eardrums this month. Sheffield psyche label Blackest Rainbow have matched up Mancunian noiseniks Gnod and A Middle Sex for a split 7”, while My First Moth have packaged up Neko Neko’s ‘Pesticide’ on the same format.

Words: Ian Pennington